Abrams wrote the test we did motion-capture on.
There were the three guys we knew then there was this other guy back in New York, who was the writer. Rotoscope is how they used to do Disney stuff.Īdamson: The very first meeting I went to was the motion capture test.Įvan-Jones: It was basically going to be shot motion-capture by these guys called the Propellerheads. The 2D people used to call it the devil's rotoscope. DreamWorks/YouTubeĮvan-Jones: Motion capture was in the air. It's called Shrek, and we'd like you to come and help dig it out of its hole.” Making it look rightĪ behind-the-scenes featurette on the making of Shrek.
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It seemed like it was not the most important film at the studio at the time.Ĭonrad Vernon (storyboard artist and voice of Gingerbread Man): After I got done with Antz, they said, “There is a movie that's struggling right now. Really I think with Jeffrey it was the fact that I was saying no that made him want me, because he just doesn't like to get no as an answer.Ĭody Cameron (storyboard artist and voice of Pinocchio and the Three Pigs): It was really a fun project to jump onto. We had several conversations, and over the course of a week I said, “OK.” I would say he's insistent and persuasive.Īdamson: I met with Jeffrey a couple of times, and in the end, we agreed to do a three-month probation. Hegedus: I got a call from Jeffrey asking if I would production design it. Everyone who didn't work out on another project got sent onto Shrek. It was the island of misfit toys to a large degree. Sim Evan-Jones (editor): I was working on Prince of Egypt and Sandy Rabins said, “You're gonna be our editor for Special Projects.” I didn't know what a special project was.Īndrew Adamson (director): Jeffrey was going through his “I want to make serious animation for adults” when he started DreamWorks, and this was sort of a bastard child. They said, “We're working on a show called Shrek.” I had no idea what it was. James Hegedus (production designer): I tend to think of DreamWorks at that time as Jeffrey. It seemed like it was not the most important film at the studio at the time.” DreamWorks “It was really a fun project to jump onto. Two decades after it was released on April 22, 2001, Inverse interviewed eight people instrumental in the film's success about its remarkable ups and downs. At various points, we might have been deprived of the ogre and the memes. To be alive in the 21st century is to have seen at least one Shrek film and immediately recognize its titular green ogre.īut the making of the film was filled with wrong turns and uncertainty.
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It birthed Broadway musicals, TV specials, Shrek festivals, and countless memes - many of them sexually explicit. In the decades since, Shrek has infused popular culture in a way that is unparalleled by almost any other animated film since The Lion King. Twenty years ago, that personality was largely absent from the Disney films that monopolized the genre until the turn of the century.
It raised the bar for irreverent, tongue-in-cheek animated comedies. Shrek was also a pioneer in numerous fields, popularizing the use of contemporary songs and A-Listers (Mike Myers, Eddie Murphy, and Cameron Diaz).